The first time I remember hearing about David Bowie was from Kurt Cobain. Track 4 on Nirvana’s MTV Unplugged in New York was Bowie’s “Man who Sold the World.” I’d never heard this song, nor of David Bowie, but I did enjoy it, and brought Bowie into my consciousness. (Many years later I recognized that a song my father had synched up as the music to a Seseme Street segment was “Space Oddity.”) A few years later a close friend of mine played “All the Madmen,” we listened to the track several times that afternoon while getting high. The themes of madness and conformity was especially evocative at that point in my life.