The second of my “madrigals” for 2017, february, is similar to last month’s; it explores different chords and sounds based upon the harmonic series. (Of course, all of these works have many different “harmonic series” occurring throughout each piece. In one moment, a chord might be based upon a series derived from a particular E-flat. In another, it could be based upon A.) All my works utilize the G = 1/1 system that Harry Partch used, but I go far beyond 42 notes — which is the great value of computer music. I look forward to composing more of these “madrigals.”