Portions of a secular cantata I’m working on were recently performed at The National Opera Center as part of a concert produced by Composers Collective (a group of composers that self-produce concerts, of which I’m a member). The cantata, The Red Blaze, is a selection of Emily Dickinson poems loosely connected by references to times of day and night. The selection below, “I had no time to hate,” is an exception — it’s not about the daytime or nighttime — instead Dickinson speaks to the limits that life places upon our ability to love and hate one another, and the choice of love over hate.
The second of my “madrigals” for 2017, february, is similar to last month’s; it explores different chords and sounds based upon the harmonic series. (Of course, all of these works have many different “harmonic series” occurring throughout each piece. In one moment, a chord might be based upon a series derived from a particular E-flat. In another, it could be based upon A.) All my works utilize the G = 1/1 system that Harry Partch used, but I go far beyond 42 notes — which is the great value of computer music. I look forward to composing more of these “madrigals.”