This post might seem shameless, but the recent death of Gene Wilder got me thinking about how actors, artists, celebrities, or anyone else contributing to the cultural dialog affects others in ways that are unexpected.
Two years ago I completed my 31 Days project: 31 new pieces in just intonation in 31 days; one piece everyday from July 11–August 10, 2014. The process involved experimenting in different styles and exploring a new plethora of sounds. During the process of composing a piece every day, I found my perceptions of sound had changed and my experience of how I perceive and understand pitch had been fundamentally altered. Now, two years later I’ve had the opportunity to listen to many of the pieces again, and to reflect upon that process. As an homage to that month, I composed a new piece that is very much a product of the challenge I took on in 2014. Cold Air is a 31-limit piece for oboe with clarinet quartet (two clarinets and 2 bass bass clarinets). The audio is rendered using samples from NotePerformer and the Sibelius pitch bend function. Like many of my works for just intonation, the piece explores combinations of tones found in the harmonic series. (I recommend viewing either in full screen, or on YouTube.)